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Samuel Ricke

Requiem in D Minor, K. 626, III. Sequentia: Lacrimosa By W. A. Mozart

Samuel Ricke

3:36	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		16	0	6	3	100%
Violino I.		27	1	9	2	100%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		16	0	6	3	100%
Violino I.		27	1	9	2	100%
Violino II.		18	1	7	3	100%
Violoncello, Basso ed Organo.		33	0	13	2	96%
Organ		32	56	12	3	93%
Basso.		19	0	6	6	89%
Soprano.		18	0	6	5	89%
Tenore.		15	0	5	6	89%
Trombone II.		15	0	5	5	87%
Trombone III.		19	0	6	5	87%
Alto.		16	0	6	6	86%
Corni di Bassetto.		21	3	8	6	84%
Fagotti.		26	3	9	6	84%
Trombone I.		16	0	6	5	83%
Trombe in D.		4	3	0	4	39%
Timpani in D.A.		2	0	0	2	37%

Mozart: "Ave Verum Corpus" K. 618

Samuel Ricke

2:18	Est. Play Time
46	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso ed Organo.		33	4	12	5	100%
Organ		33	48	13	6	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso ed Organo.		33	4	12	5	100%
Organ		33	48	13	6	100%
Viola.		14	0	3	4	100%
Violino I.		20	0	5	7	100%
Violino II.		15	0	5	5	100%
Alto.		9	0	2	6	83%
Soprano.		14	0	5	6	83%
Basso.		15	0	6	4	80%
Tenore.		10	0	2	6	80%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: II. Adagio

Samuel Ricke

5:27	Est. Play Time
39	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		24	34	8	6	100%
		22	2	10	6	100%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		24	34	8	6	100%
		22	2	10	6	100%
Fagotto.		23	0	10	6	100%
Oboe I.		18	0	7	10	100%
Oboe II.		17	0	5	5	100%
Oboe III.		13	0	4	5	100%
Viola.		17	0	7	7	100%
Violino I.		19	0	5	7	100%
Violino II.		16	0	6	5	100%
Violino piccolo.		23	0	9	9	100%
Violoncello.		22	0	10	6	100%
Violone.		22	2	10	6	100%

Handel: Messiah, HWV 56: Part II. "Hallelujah Chorus"

Samuel Ricke

3:28	Est. Play Time
94	Measures
	2,567Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		24	41	3	8	95%
		20	8	2	8	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		24	41	3	8	95%
		20	8	2	8	100%
Bassoon		20	0	2	8	100%
Violoncellos		21	0	2	8	100%
Violas		16	0	2	8	99%
Violins		20	0	1	8	98%
		21	0	3	8	96%
Contrabasses		17	0	2	8	98%
Tenor		13	0	1	8	96%
Bass		14	0	2	8	95%
Contralto		13	0	2	8	91%
Oboe		12	0	0	8	88%
Soprano		12	0	0	8	88%
D Trumpet		11	1	1	8	73%
Timpani		2	0	0	8	50%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus III.

Samuel Ricke

2:03	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	23	7	6	99%
		17	0	4	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	23	7	6	99%
		17	0	4	4	100%
Continuo.		17	0	4	4	100%
Violino I.II.		20	5	6	4	100%
Violone.		17	0	4	4	100%
Tenore.		13	0	4	6	62%

Michael Haydn: Requiem in C Moll (pro defuncto Archiepiscopo Sigismundo), MH 155 - I: Requiem et Kyrie

Samuel Ricke

6:41	Est. Play Time
70	Measures
	2,953Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	78	8	8	100%
		22	0	8	5	100%
View all 21 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	78	8	8	100%
		22	0	8	5	100%
Bassi ed Organo.		22	1	8	5	100%
Contrabasso.		22	1	8	5	100%
Fagotto.		22	1	8	5	100%
Violino II.		29	0	10	8	100%
Violino I.		29	0	10	9	99%
Alto.		10	0	2	4	7%
		14	0	5	7	80%
Soprano.		16	0	5	9	76%
		6	0	1	4	4%
Trombone I.		13	0	4	7	74%
Basso.		3	0	1	3	4%
		17	0	7	8	73%
Tenore.		8	0	2	4	7%
		13	0	3	7	70%
Clarini in C.		8	8	1	6	70%
Trombone III.		17	0	7	8	67%
Trombone II.		13	0	3	7	64%
Trombe in C.		4	2	0	5	55%
Timpani in C.G.		3	0	0	5	49%

J.S. Bach: Mass in B Minor, BWV 232: V. Crucifixus

Samuel Ricke

4:08	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	1	7	4	100%
		22	0	7	5	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	1	7	4	100%
		22	0	7	5	100%
Continuo.		10	0	2	2	100%
Violone.		10	0	2	2	100%
Flauto traverso I.		20	0	7	1	92%
Flauto traverso II.		20	0	7	1	92%
Viola.		19	0	7	2	92%
Violino I.		20	0	7	2	92%
Violino II.		16	0	5	2	92%
Soprano II.		17	0	6	5	81%
Alto.		18	0	6	6	77%
Basso.		15	0	4	4	70%
Tenore.		14	0	5	5	68%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Sinfonia

Samuel Ricke

1:28	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	20	6	5	96%
		19	0	5	6	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	20	6	5	96%
		19	0	5	6	100%
Continuo.		16	0	4	5	100%
Viola I.		11	0	2	4	100%
Viola II.		14	0	4	5	100%
Violino I.		16	0	4	7	100%
Violino II.		12	0	3	5	100%
Violone.		16	0	4	5	100%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus I.

Samuel Ricke

4:20	Est. Play Time
94	Measures
	3,374Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		26	58	10	8	96%
		29	0	10	6	100%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		26	58	10	8	96%
		29	0	10	6	100%
Continuo.		29	0	10	6	100%
Viola I.		18	0	7	7	98%
Viola II.		17	0	6	7	98%
Violino I.		23	0	9	6	98%
Violino II.		20	0	6	7	98%
Violone.		28	0	9	6	97%
Alto.		18	0	7	7	96%
Trombone I.		18	0	7	7	96%
Tenore.		17	0	6	7	95%
Trombone II.		17	0	6	7	95%
Basso.		23	0	9	6	90%
Trombone III.		23	0	9	6	89%
Cornetto.		16	0	6	6	65%
Soprano.		16	0	6	5	65%

J.S. Bach: Magnificat in D Major, BWV 243 - X. Suscepit Israel

Samuel Ricke

2:25	Est. Play Time
37	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	15	5	4	100%
		18	0	4	3	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	15	5	4	100%
		18	0	4	3	100%
Organo e Violoncelli.		18	0	4	3	100%
Soprano I.		16	0	4	5	100%
Alto.		14	0	4	5	97%
Soprano II.		15	0	5	5	89%
Oboe I.II. all' unisono.		7	0	0	1	78%

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